Choir (SATB)

MMXX: A meditation on Auld Lang Syne for mixed voices (SATB) a cappella was commissioned in 2020 by Dr Carolyn Lowry OAM as a gift to Sydney Philharmonia Choirs upon the occasion of their centenary.

Commissioned in 2020 for performance by Sydney Philharmonia Choirs upon the occasion of their 100th birthday, this joyful setting draws upon a text with a Beethoven connection.

Commissioned by Canterbury College (QLD), this is a vibrant setting of Henry Van Dyke's poem which celebrates the Arts.

A setting of Søren Kierkegaard's prayer, commissioned in 2017 for world premiere by Brisbane Chamber Choir & Diana Tolmie (saxophone), conducted by Graeme Morton AM.

Winner of the inaugural Willgoss Choral Composition Prize, "Sonnet to the Comet of 1825" received its world premiere in September 2017, presented by The Burgundian Consort.

This setting of Mary C. Shafer's poem "Christmastide" for mixed voices was commissioned in 2015 by Chicago-based choir, Acappellago, directed by Mr Dennis Smith.

"Lest We Forget" was arranged for performance by Polyphonic Voices at Christ Church South Yarra, Vic., in commemoration of the 2015 centenary of the ANZAC landing in Gallipoli.

Premiered by the London College of Music in 2015, this score takes inspiration from Vivaldi’s Gloria in D Major, while bringing the sounds of the city of Venice to the fore.

This multi-faceted score sets Henry Kendall's "Sutherland's Grave", "Journey to Birdsville 1966" from the Log & Field Book of Russell Drysdale, & excerpts from 'Missa pro defunctis'.

"The Listening Land" (for SATB choir) was commissioned by ArtsNOW Australia. The work draws its text from two Australian literary gems published over 100 years apart.