Sonnet to the Comet of 1825

//Sonnet to the Comet of 1825
Sonnet to the Comet of 1825 2017-10-04T16:13:34+00:00

Project Description

Newsflash!

UNSW Music Performance News – Composer takes the prize!ANNOUNCEMENT OF INAUGURAL WILLGOSS CHORAL COMPOSITION PRIZE

SYDNEY, 29TH MARCH 2017 – I am thrilled and honoured to have received news that my piece, Sonnet to the Comet of 1825 (for a cappella SATB choir) has been awarded the inaugural Willgoss Choral Composition Prize, presented in association with the UNSW Music Performance Unit.

I sincerely thank Richard & Sue Willgoss and the UNSW Music Performance Unit for this generous award and especially for their support and encouragement of Aussie choral music! I look forward to the Burgundian Consort’s world premiere performance in September, 2017.  – M.O.

PS: The next edition of the Willgoss Choral Composition Prize opens on 17 July, 2017! (read more…)

Composer’s Note

Score sample – Sonnet to the Comet of 1825 (for a cappella SATB choir)Sonnet, to the Comet of 1825 (for a cappella SATB choir) was composed in 2017 and won the inaugural Willgoss Choral Composition Prize UNSW. The world premiere performance was given on 20 September 2017 at Sir John Clancy Auditorium, UNSW, by the Burgundian Consort, directed by Sonia Maddock.

My setting takes as its text a poem by Rev. Dr John Dunmore Lang (1799 – 1878). Penned in 1825 while on a voyage from England to Australia aboard the “Medway”, Dunmore Lang’s poem powerfully evokes the sight of a bright comet whose fiery tail, as far as its blaze extends, sweeps the stars and proclaims “th’Almighty’s reign.”

To convey the energy and portent of the poet’s images in my setting, I have sought to use thematic material which is at times fanfaric in nature. I have also utilised choral textures which are kaleidoscopic in effect, whereby layers of voices are kept perpetually in motion by subtle oscillations, akin to cogs and wheels spinning to form part of a greater synchronicity.

I have also sought to score onomatopoeic / atmospheric elements amidst the choral parts from time to time, including sibilant “Shh” sounds, bird-like whistled tones and exhalations. These elements – crafted to bring to mind the sound of crashing waves, sea gull calls, star dust and ‘the mists of time’ – are included as an evocation of Dunmore Lang’s voyage and to bring out the perspective from which he witnessed the great celestial event. – M.O.

World Premiere Performance

Burgundian Consort Flyer 2017

Tickets available from EventBrite:
https://www.eventbrite.com.au/e/musica-dei-donum-tickets-34903633708

“Sonnet to the Comet of 1825”
(for a cappella SATB choir)
PDF Scores and Licensing available

Contact Matthew

TITLE:
Sonnet to the Comet of 1825

DATE OF COMPOSITION:
2017

SCORED FOR:
A cappella SATB choir

DURATION:
c. 8 minutes

WORLD PREMIERE:
Wednesday 20th September, 2017: The Burgundian Consort, conducted by Sonia Maddock @ Sir John Clancy Auditorium, UNSW, Kensington, Australia.

PUBLISHER:
Matthew Orlovich

ISMN:
979-0-9009-7154-8 (Digital Download PDF)

If you would like more information about this score, feel free to email me.
I look forward to hearing from you!